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c. 1445 – May 17, 1510. Italian painter.

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MAUPERCHe, Henri
Landscape with Jephthah and his Daughter w

ID: 08160

MAUPERCHe, Henri Landscape with Jephthah and his Daughter w
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MAUPERCHe, Henri Landscape with Jephthah and his Daughter w


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MAUPERCHe, Henri

French Baroque Era Painter, ca.1602-1686  Related Paintings of MAUPERCHe, Henri :. | Painting | Portrait of a Knight | Watering Pots | and Her Daughter | Still life floral, all kinds of reality flowers oil painting 89 |
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Wladislaw Podkowinski
Polish Painter, 1866-1895
Donatello
Italian Early Renaissance Sculptor, 1386-1466,Italian sculptor. He was the most imaginative and versatile Florentine sculptor of the early Renaissance, famous for his rendering of human character and for his dramatic narratives. He achieved these ends by studying ancient Roman sculpture and amalgamating its ideas with an acute and sympathetic observation of everyday life. Together with Alberti, Brunelleschi, Masaccio and Uccello, Donatello created the Italian Renaissance style, which he introduced to Rome, Siena and Padua at various stages of his career. He was long-lived and prolific: between 1401 and 1461 there are 400 documentary references to him, some for nearly every year.
Bernardo Cavallino
Italian Baroque Era Painter, ca.1616-1656 was an Italian painter of the Baroque period, working in Naples. Born in Naples, he likely died during the plague epidemic in 1656. While his paintings are some of the more stunningly expressive works emerging from the Neapolitan artists of his day, little is known about the painter's background or training. Of eighty attributed paintings, less than ten are signed. He worked through private dealers and collectors whose records are no longer available. It is said that he trained with Massimo Stanzione, befriended the painter Andrea Vaccaro, and was influenced by Anthony Van Dyck, but his paintings could also be described as equidistant from Caravaggio and Bartolome Esteban Murillo in styles; tenebrism enveloped with a theatrical sweetness, a posed ecstasy and feeling characteristic of the high Roman baroque statuary. He is known to have worked in Neapolitan circles strongly influenced by Stanzione, which included Artemisia Gentileschi, Francesco Francanzano, Agostino Beltrano and Francesco Guarino. One of his masterpieces is the billowing maiden Virgin at the Brera Gallery in Milan. Passive amid the swirling,






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